URSA SCHOEPPER | Germany
Nothing is as it seems at first; everything is in process and thus in change. In order to arrive at new points of view, it sometimes helps to destroy familiar ways of seeing in the figurative sense. For me as an artist, for example, I am destroying a previously recorded photographic image through transformation, that is, through a new algorithmic order structure, in order to arrive at a new order of sight and perspective after a new order.
A digital photography is at the same time a light photography and a data image. My experimental fine art photography artworks are representing the inherent not yet and at the same time shows how we always construct our world, photographic material seen as a process matter. By following an artistic idea I am developing autonomous photographic fine art artworks that exist as a virtual reality in a realistic reality. A digital photographic image is generated through algorithmic genetic grammar into an autonomous work of fine art photography. It is a conceptual process working with photographic material. My tool is a professional camera and a sophisticated photo editing system.
© ursa schoepper, 2018
Colorcode, 2016. 90 cm x 60 cm. Farbpigment on Aludibond or as desired in a request size on Hahnemühle Fine Art Baryta, Edition of 10
Genetic engineering, 2016. 90 cm x 60 cm. Farbpigment on Aludibond or as desired in a request size on Hahnemühle Fine Art Baryta, Edition of 10
Uncover, 2017. 120 cm x 80 cm. Farbpigment on Aludibond or other image carrier and size, as desired.
Organic contaminants, 2017. 120 cm x 80 cm. Farbpigment on Aludibond in this image carrier and size an unique or as desired in a request size on Hahnemühle Fine Art Baryta, Edition of 10
Suspended particle, 2017. 120 cm x 80 cm. Farbpigment on Aludibond in this image carrier and size an unique or as desired in a request size on Hahnemühle Fine Art Baryta, Edition of 10
