Marta Carceller
Marta Carceller’s painting acquires its own sign of singularity in the dialectical figuration/abstraction. On one hand, the artist approaches the shapes of the Spanish realism that emerged during the 1980s through a broad thematic register that covers the human figure, still lifes and both urban and natural landscapes. On the other hand, this entire figurative structure is stressed through the exploration of abstraction’s own resources. This dialectical condition of Carceller's work translates into a split of the pictorial work on two planes: the representational or constructive, and the expressive or deconstructive.
